“Although the Hollywood star Dorothy Malone, who has died aged ninety-three, appeared in only a handful of works of distinction in a fairly lengthy career, they were good enough to secure her place in film history,” writes Ronald Bergan for the Guardian. “On those occasions when the role permitted, most notably in two flamboyant melodramas directed by Douglas Sirk, Written on the Wind (1956) and The Tarnished Angels (1957), Malone revealed what a talented performer she could be, one capable of projecting a potent blend of cynicism, sexuality, and intelligence. However, she was probably most familiar to the general public as Constance MacKenzie in Peyton Place (1964–68), one of the first primetime TV soap operas.”
Writing for the New York Times, Anita Gates notes that “she was first noticed, by audiences and the film industry alike, in The Big Sleep (1946), in which she played a seductive bookstore clerk who took off her glasses, loosened her brown hair (Ms. Malone’s natural hair color) and invited Humphrey Bogart to stay awhile.”
Writing about that scene for the Chiseler, David Cairns notes that director Howard Hawks “loves indirect, coded dialogue, blending slang, jargon, innuendo, metaphor and heavily accented subtext, but beneath that he likes the blatant come-on, the frank challenge. I don’t think he ever found a more nakedly lustful avatar of straightforwardness than Dorothy Malone. . . . The whole thing is probably the most sex-positive scene in classic Hollywood, with no romance, no tut-tutting, just desire aroused and sated, respectfully. Malone might know she’s naughty, but she’s shameless, and Hawks and Bogart and the audience agree they like her that way. ‘So long, pal,’ says Marlowe as he leaves.”
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