DB here: Wes Anderson is back on our blog. I composed a 2007 entry that tried to trace the stylistic tradition he belongs to (sloganized as “planimetric” staging and “compass-point editing”?). In 2014 the multiple aspect ratios of The Grand Budapest Hotel grabbed my attention. That essay, revised, was included in Matt Zoller Seitz’s […]
from Observations on film art http://ift.tt/1l9gTai
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