DB here, again: We got a keen response to my entry on widescreen composition in Mad Max: Fury Road. Thanks! So it seemed worthwhile to look at composition in the older format of 4:3, good old 1.33:1–or rather, in sound cinema, 1.37: 1. The problem for filmmakers in CinemaScope and other very wide […]
from Observations on film art http://ift.tt/1LSyWsk
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