DB here: In a Broadway bar, the New York Times drama critic has just told Riggan Thomson that her review will destroy his play. Riggan snatches up her review of another production, reads it quickly, and declares it packed with meaningless “labels.” There’s nothing in here about technique. There’s nothing in here about structure. Nothing [...]
from Observations on film art http://ift.tt/1FPT92t
from Observations on film art http://ift.tt/1FPT92t
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