DB here: In the 1940s, American cinema turned wildly subjective. Visions, daydreams, nightmares, optical and auditory POV, inner monologues, flashbacks, and stream-of-consciousness montages were popping up everywhere. Sometimes these techniques rendered what it felt like to be the character at that moment. At other times, they were occasions for gags, or padding, or spikes of emotion, or […]
from Observations on film art http://ift.tt/1Ghfu5L
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