Gas food lodging: The best job in the world has its downside

Honoré Daumier, Exposition des Beaux-Arts, 1869. DB here: Over the last couple of years, I’ve been worried about those critics who must suffer the indignities of film festivals. I became aware of the hazards when I saw this exchange on Indiewire about James Gray’s The Immigrant: Critic: Do you see this as your most emotional [...]



from Observations on film art http://ift.tt/VzMG7L